Experimenting with Bunney

Dipping a cautious toe in the waters of men's jewellery thanks to Bunney.

Now, regular readers will know that I struggle with men's jewellery. However, whilst blogging I have encountered two designers, Hannah Martin and Andrew Bunney, that have opened my eyes to this previously daunting realm of shiny embellishment. The latter, Bunney started in 2009 as a jewellery line that seeks to make simple things look beautiful, intriguing and understandable. Andrew Bunney longed to create objects that look like something one may be used to yet recast in a new light with precious metals, becoming new, yet at the same time, familiar. Ultimately, Bunney was drawn to the idea of coming up with something everybody or anybody could wear...even nervous individuals like myself. For the last few seasons, he has been quietly navigating an elegant and refined men's jewellery offering that have grabbed my attention and have left me reaching for my wallet. Last September I finally invested in a few items.


As you should all know by now, Bunney evolved from a single item - a large size silver pyramid stud which came in a set of three, in to a magpies heaven during the last instalment of the Showroom Next Door. However, as the Bunney range grows, his desire to create something quite unisex and versatile remains. Made by craftsmen in workshops around England, each piece is finished with care and attention before being hallmarked at the Goldsmiths’ Company, responsible since 1300 for testing the quality of gold and silver. I opted for the hammered badge and a slightly smaller version of the pyramid stud set. I picked the latter up over the weekend and have been experimenting with them ever since.


One of the facets that makes style in this country so exciting is how people can appropriate and interpret items and use them in a way unique to themselves. The pieces are meant for use with clothing and encourage the wearer to consider and compose a variety of combinations. Bunney says the concept focuses on giving freedom to the wearer “you wear them how you want, on a jacket or a shirt, together or separately”. The entire line not only facilitates individuality but downright encourages it. Ever since I first talked through the label with Andrew Bunney, I've daydreamed about my picks and the myriad of ways in which they will be worn. Over the last few days, I've experimented for real...

Two of the three pyramid studs worn with Crombie by ASOS Black, breton by E. Tautz and shirt by Patrik Ervell.  

Two of the three pyramid studs worn on the collar of Lanvin shirt under a sweater by COS

One of the three pyramid studs worn on the lapel of suit jacket by J.A Daye.

Inspired by Bunney's SS10 look book which showcase the likes of Clare de Rouen and Mr Hare wearing their choices extremely well and uniquely, I have strived to wear the studs a different way each day.  I might just be dipping one cautious toe in the the previously uncharted waters of jewellery but the likes of Andrew Bunney are tempting me to jump right in. 

Style Stalking... Tommy


Our blog roll is constantly evolving as we discover new favourite reads and bid a fond farewell to the ones which are sadly no longer with us. This is Naive, thankfully, is one which has been an ever present fixture. As stated on the blog itself, Tommy lives in London and she likes the beautiful and the good things. Her pictures and the accompanying musings have been a constant source of jealousy and admiration for us and her eye for detail really cannot be overstated. On top of all of this, she is a really lovely person!

Although she definitely has a fondness for the feminine (her baskets and embroidered tops are testament to this), I'm sure Tommy wouldn't mind us saying that her dress sense often tends towards a more masculine style given her love for vintage garments with hints of military and workwear. For this seven day style diary, Tommy took up our challenge to wear mostly men's clothes for a week. Over the course of the resulting week, she estimates that menswear constitutes about seventy per cent menswear of her outfits and she has done it in a way that we're certain that our readers will find both interesting and inspirational. Regardless of gender, there is a great to take away from the below set of images. Without further ado, here it is...
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Day One
I have been in Paris for the last couple of days to see Hiroki Nakamura's Visvim presentation. Today is my final day, I just had a tarte au citron at Rose Bakery to remember Paris by.


Khadi & Co indigo scarf (its suggested use is a tablecloth), Thom Browne knit jumper, silk shirt from Yue Hwa department store in Singapore (it is made for Chinese granddads!), Edun trousers *, Vietnamese woven bag, Visvim hiker boots.
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Day Two
Back in London and there is nothing to eat at home! So I have just been to the Sunday farmers' market and supermarket to stock up. The denim jacket belongs to my partner, I grabbed it off the rail and was amused that the pin badges on it match my trousers.


Old Levi's denim jacket, Patagonia boys' fleece jacket, old Royal Navy knit jumper, Brooks Brothers boys' button-down shirt, Goodenough chinos, Goro's leather bag, Bunney sheepskin mittens, Visvim chukka boots, Moroccan woven basket, Inverallan knit hat.
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Day Three
Without a reliable photography assistant today but I found a helpful reflective surface in my neighborhood. I have just ferried a load of parcels to the post office.


See by Chloé knit scarf *, Inverallan knit cardigan, old French thermal top, 555 underwear t-shirt, Goodenough chinos, Lavenham quilted bag *, Tod's loafers, Moroccan woven basket.
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Day Four
Windy! Rushing home after some errands to complete tax returns, thrilling Tuesday! I normally wear my gloves in a pair, by the way.


Khadi & Co indigo scarf, old German coveralls, old leather gloves, Head Porter tote bag, Wm. J. Mills & Co. canvas bag, YMC socks (made by Scott-Nichol), Nike chukka boots.
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Day Five
Post-dinner at Andrew Edmunds in Soho with a visiting friend from Singapore. Freezing, just starting to rain, so we ducked into Liberty for cover. The coat, I know, is ridiculously big on me but it is precisely why I like it. Like playing dress-up when you are young in your father's coat!


Old French motorcycle coat, AFFA mohair knit jumper, Thom Browne for Moncler hat, unknown tartan scarf borrowed from partner's drawer, L'Etoile Isabel Marant trousers *, Head Porter tote bag, Vans Sk8-Hi sneakers (Undercover version from around 10 years ago).
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Day Six
Visiting my friend, Jaja, and coercing her cat, Quincy, for a picture. I'm sure you'll agree that a handsome animal makes the best accessory.


See by Chloé knit scarf *, old Soviet-era padded jacket, old English silk and cotton shirt, Ralph Lauren trousers *, Vans Sk8-Hi sneakers, Poilâne linen bag.
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Day Seven
Late night opening at Tate Modern, one of my favourite places to be on a Friday.


Old B3 sheepskin jacket, old English silk and cotton shirt, Bunney onyx studs (worn as buttons), old French cotton slip *, Poilâne linen bag, Hue leggings *, Nike boots *.
N.B. The starred items are womenswear.

Photography credits: Andrew, Jaja, Major Travel window, Liberty shoe department mirror.
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CAMO AW11


Back in June I was fortunate enough to bounce around the menswear tradeshow theme park that is Pitti Uomo and have since reported back designer discoveries in earnest. A particularly rich vein of sartorial satisfaction came from Who's On Next/Pitti Uomo. This design contest is an exciting prospect that showcases the newest Italian or Italian-based talents. The second season was particularly fierce with FQR by Fabio Quaranta winning the award for pret-a-porter (please do check out his even stronger AW11 offering) and AI_ by Andrea Incontri winning the award for accessories. However, the ready to wear label that really caught my eye was CAMO. Through using fabrics made in North West Italy, designer Stefano Ughetti celebrates his heritage while supporting local industry and Italian craftsmanship. My appetite for his label was whet and we have kept in regular contact ever since. 

In the Camo collection that won my affections back in June,  Ughetti examined the roots of Biellese farmers and shepherds living a simple and proud life for SS11. One season on and the designer is once again looking to this rich region for inspiration. However, for AW11 rather  than look to its inhabitants he takes inspiration from a spiritual and cultural institutions, the Oropa Sanctuary. Here, Ughetti invites us to take our time; to think, to reason and decide for ourselves. Now,  dressed in the finest local fabric, is the moment to keep still and silently observe the life that happens all around us. As he presented this highly anticipated collection to international buyers, we caught up with the design talent to find out about his latest inspirations and his hopes for the coming year.
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SS: What provided the initial inspiration and how did it evolve in to the collection we see today?
Stefano Ughetti: Each collection is inspired by the thought of the moment. By what I want to communicate for that season. My purpose for creating the label was not to dress people, but to put them in touch with what they wear. My father is a painter, my grandfather an artist and for me I chose this way to communicate my ideas to the world. For AW11, the Last Soul collection represents a man and a woman possessing a mystic and pensive attitude. I wanted to create a collection that provokes I was greatly inspired by the the Oropa Sanctuary. 

SS: How would you describe the collection in your own words?
Stefano Ughetti: This Soul collection reminds me of the colours  and shapes of the Oropa Sanctuary where I was inspired. The main shades are gray, white and black. The shapes are squared and rigorous mirroring the frames and structures of this beautiful place.

SS: You are known for using fabrics made in North West Italy and for celebrating your heritage while supporting local industry and Italian craftsmanship. What can you tell us about the fabrics and craftmanship used in this collection?
Stefano Ughetti: Yes, for this collection, as the ones before, all the fabrics and yarns for the knitwear are from manufactures and mills located in the vicinity of Biella.

SS: What are your plans for 2011 and beyond.
Stefano Ughetti: For 2011 I would like to consolidate what we have achieved up until now to grow our presence in the  US market. We recently participated at the Capsule tradeshow in NY and the reaction has been hugely positive.
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Now, having caught up with the design talent himself it is time for a spot of weekend introspection. In the true spirit of the AW11 collection it is time to for silence as we let the stunning look book images wash over us...














All look book images supplied by Camo.